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Biography

Born in Valladolid, his first artistic training is done at the School of Applied Arts at a very early age in the studio of painter José Páez.Posteriormente he moved to Madrid and go to workshops in drawing and painting of the Circulo de Bellas Artes, in this Simultaneous time his two great passions: music and painting. Currently still under investigation in the field of watercolor, which teaches art in her studio,...

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4.72 x 4.72 in
Painting
Painting
Painting
Painting
Painting
Painting
14.96 x 10.63 in
Painting
14.96 x 10.63 in
Painting
15.75 x 15.75 in
Painting
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Born in Valladolid, his first artistic training is done at the School of Applied Arts at a very early age in the studio of painter José Páez.Posteriormente he moved to Madrid and go to workshops in drawing and painting of the Circulo de Bellas Artes, in this Simultaneous time his two great passions: music and painting. Currently still under investigation in the field of watercolor, which teaches art in her studio, combining it with other means of expression. Exhibiting in: Albacete, Valladolid, Madrid, Santander, Medina del Campo, Segovia, Logroño, Guadalajara, Pontevedra, Jerez de la Frontera, Gijón, Palencia, Burgos, Zamora, Villagarcía de Arosa, Vitoria, Cordoba, Algorta, Valencia etc. . His work is in public and private collections in many countries.


(SOME COMMENTS ON HIS WORK) ... His work is Crisp, clean, crystal, matching vida.Pintar attitude to life is to live in the paint, and the works displayed here are windows into the air, for which the glimpse we can see that nature in watercolor dress, vibrate powerfully. Terroba Diego Esquina ...


For this singular artist to paint something beautiful and necesario.Inevitable, incluso.Crear is a current and thorough outline obsesión.Trabajar emerged in an instant is a countervailing effort will bear fruit once channeled and discharged out of it, for be open to new developments. Theater director Manuel Lara Antelo ...


His watercolors are clean, transparent, diáfanas.Lo same when resolved from a classical approach and realistic, supporting them in drawing up the outlines specific and not harden, which when released evolve their spots on the cardboard, taking the toward the dream or reality to the fancy; building, with its vestiges or your breath, as an abstraction changing, passionate, viva.En occasions, both approaches are complementary and coexist, mutually reinforcing, mutually fretting. Because, even in the urban views in more concrete and realistic landscapes, provided they smoke some funds or skies with abstract concerns, if we discover an aura that puts a shiver in their transcendent reality of unreality. Antonio Corral Castanedo "El Norte de Castilla"


... In my opinion, his most evocative, heartfelt, more passionate and more beautiful, are those which defines, dissects, spurs or welcomes, the woes, the quejasy to the cries of those lands castellano.Son broken landscape , curled, waving their summers or a waving plume pinos.Son those lands that are twisted, tortured, breaking his ways or Brand building roads difficult under skies loom blurry with thrusts of the sea, with echoes of montaña.Cielos suffering and tumble on slashed fields, which exude a certain joy, beyond their pessimism to that sound as if they were touched the alarm bells.


"A. CORRAL Castaneda" "El Norte de Castilla "

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